Carey Blyton: Film & Television Music (2/4) (extracts of music from documentary films and television plays) |
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Year of publication | 2003 |
Type of work | CD recording |
CD Duration | 00:55:14 |
Performers | British session players |
Publisher | Apollo Sound |
Grouping | Work | Movement | Duration | |
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1 | Documentary Film Music | Capital City | Music Section 2 | 2:16 |
2 | Flying Birds | Title Music (Theme) | 0:42 | |
3 | Variation 3 | 0:48 | ||
4 | Variation 9 – Variation 10 | 0:50 | ||
5 | The Living River | Music Section 7 | 1:43 | |
6 | Music Section 10 (end credits – ‘Spring Scenic’) | 1:16 | ||
7 | Kites are Flying | Music Section 3 | 1:19 | |
8 | Music Section 7 (end credits) | 0:48 | ||
9 | Sherlock Holmes | Title Music: March: Mint Imperial, By Jingo! | 0:46 | |
10 | Music Section 3: “The Baker Street Irregulars” | 0:17 | ||
11 | Music Section 5: Inspector Lestrade of the Yard | 0:53 | ||
12 | Music Section 8A: Leverton, of Pinkerton’s Detective Agency | 0:19 | ||
13 | Music Section 10: Porky Johnson | 0:14 | ||
14 | Music Section 11A: Professor Moriarty | 0:41 | ||
15 | Music Section 12: London street scene | 0:30 | ||
16 | The Goshawk | Pre-title Music & Title Music | 1:20 | |
17 | Music Section 2M1 | 0:44 | ||
18 | Music Section 2M9 | 0:51 | ||
19 | The Furryfolk on Holiday | The Tufty Club Marching Song | 3:16 | |
20 | Low Water | Music for the Opening Credits | 1:52 | |
21 | Music for the Closing Credits | 1:53 | ||
22 | Dislay to Sell | Variation 1: Lyrical, pastoral | 2:43 | |
23 | Television Play Music | Doctor Who: Revenge of the Cybermen | Deep Space | 0:31 |
24 | Cybermen! | 0:39 | ||
25 | Vogans (both ‘hawk’ and ‘dove’) | 0:22 | ||
26 | Cybermen and Vogans – their music in combination | 0:43 | ||
27 | Cybermen and Vogans fight in the underground caves | 1:26 | ||
28 | “All’s well that ends well!” | 0:24 | ||
29 | Doctor Who: Death to the Daleks | A Desolate Landscape | 1:34 | |
30 | Exxilon Chant | 1:07 | ||
31 | Dalek ‘March’ – silence – | 0:41 | ||
32 | Dalek ‘March’ (conclusion) | 0:25 | ||
33 | Exxilon Chant (human sacrifice) | 1:02 | ||
34 | The fight in the caves between Daleks and Exxilons | 0:37 | ||
35 | The fight between the Daleks and the city’s “zombies” | 1:26 | ||
36 | The Pigeon-Fancier | Opening Title Music | 0:36 | |
37 | Closing Title Music | 1:50 | ||
38 | Footprints in the Jungle | Opening Title Music | 0:23 | |
39 | Music Section 2 | 0:22 | ||
40 | Music Section 4 | 0:38 | ||
41 | Music Section 5 | 0:32 | ||
42 | Music Section 13B | 1:34 | ||
43 | Doctor Who and the Silurians | Caves | 0:43 | |
44 | Research Establishment | 0:21 | ||
45 | U.N.I.T. troops | 0:58 | ||
46 | Silurians | 0:34 | ||
47 | The monster | 0:35 | ||
48 | Before the Party | Music Section 3 | 0:51 | |
49 | Music Section 7 | 1:08 | ||
50 | Music Section 14 | 0:55 | ||
51 | It Wasn’t Me | Opening Title Music | 0:22 | |
52 | Music Section 3 | 0:44 | ||
53 | Music Sections 6 & 7 | 0:54 | ||
54 | Music Section 9 | 0:24 | ||
55 | Music Section 10 | 0:33 | ||
56 | Music Section 19 | 0:26 | ||
57 | Julie’s Gone | Station identification signal | 0:08 | |
58 | Pre-title Music – Title Music – Music for Scene 5 | 3:23 | ||
Total duration: | 55:14 |
These are fascinating examples of the instrumentator’s craft, and of Blyton’s music; he found many of the ideas too good to waste, and they were incorporated into concert works. Some surprises from a ‘traditional’ composer too—12-note pieces make an appearance.